Castleman and Podrazik present a sweeping season-by-season story, capturing the essence of television from its inception to the contemporary era of anytime access and online streaming, including every prime time fall schedule since 1944. The authors have dug through the mounds of obscure facts, offbeat anecdotes, and corporate strategies that have made television a multibillion-dollar industry. Watching TV provides a fascinating history of how the personalities, popular shows, and coverage of key events have evolved across eight decades. Full of facts, firsts, insights, and exploits, as well as rare and memorable photographs, Watching TV is the standard history of American television. This third edition includes coverage up through the mid-2010s and looks ahead to the next waves of change.
Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Â Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE
Today more than ever, series finales have become cultural touchstones that feed watercooler fodder and Twitter storms among a committed community of viewers. While the final episodes of The Fugitive and M*A*S*H continue to rank among the highest rated broadcasts, more recent shows draw legions of binge-watching fans. Given the importance of finales to viewers and critics alike, Howard and Bianculli along with the other contributors explore these endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show. Bringing together a veritable âwhoâs whoâ of television scholars, journalists, and media experts, including Robert Thompson, Martha Nochimson, Gary Edgerton, David Hinckley, Kim Akass, and Joanne Morreale, the book offers commentary on some of the most compelling and often controversial final episodes in television history. Each chapter is devoted to a separate finale, providing readers with a comprehensive survey of these watershed moments. Gathering a unique international lineup of journalists and media scholars, the book also offers readers an intriguing variety of critical voices and perspectives.
Guaranteed to keep you up long after prime time, The Box re-creates the old-time TV years through more than three hundred interviews with those who invented, manufactured, advertised, produced, directed, wrote, and acted in them. Their reminiscences are intertwined with a chronological narrative that tells the technological, business, and entertainment storiesâfrom pioneer Philo T. Farnsworth, through the Golden Age of comedy and drama, to FCC chairman Newt Minow's historic speech declaring television a âvast wasteland.â Here are household names and fascinating unknowns, from the brilliant RCA scientists who flew paper airplanes off the Empire State Building, to Uncle Miltie, Edward R. Murrow, and Beaver's mom. You'll hear about the great pioneering stations in Los Angeles, Chicago, Philadelphia, and New York, and the inside story from the people who fixed the quiz shows. This enormous treasury of sparkling memories and candid opinions truly breaks new ground in the history of television. This new edition includes over 100 photos of people, events, and memorabilia! âWondrous... An oral scrapbook of the pioneering days of our video nationâ âThe New York Times Book Review âPerhaps the highest compliment one can pay this popcorn page-turner is that it would make a terrific TV documentary.â âPeople âThe best book ever about the early days of America's most pervasive communication medium.â âLos Angeles Daily News âA gossipy and profanely entertaining reality check by way of everyone from June Cleaver to Studs Terkel.â âThe Boston Globe âA tour de force... Readers will get a good perspective on the business.â âHugh Downs âRivetingâ âL.A. Weekly âThe Box is hilarious, tacky, screwball, and sublimeâeverything that TV itself has always been.â âMinneapolis Star Tribune
Few morose thoughts permeate the brain when Yosemite Sam calls Bugs Bunny a âlong-eared galutâ or a frustrated Homer Simpson blurts out his famous catch-word, âDâoh!â A Celebration of Animation explores the best-of-the-best cartoon characters from the 1920s to the 21st century. Casting a wide net, it includes characters both serious and humorous, and ranging from silly to malevolent. But all the greats gracing this book are sure to trigger nostalgic memories of carefree Saturday mornings or after-school hours with family and friends in front of the TV set.
Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible?
For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this:
What's the greatest TV show ever?
That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all- encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium.
Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!
On September 19, 1962, The Virginian made its primetime broadcast premiere. The 1902 novel by Owen Wister had already seen four movie adaptations when Frank Price mentioned the story's series potential to NBC. Filmed in color, The Virginian became television's first 90-minute western series. Immensely successful, it ran for nine seasons--television's third longest running western. This work accounts for the entire creative history of The Virginian, including the original inspirations and the motion picture adaptations--but the primary focus is its transformation into television and the ways in which the show changed over time. An extensive episode guide includes title, air date, guest star(s), writers, producers, director and a brief synopsis of each of The Virginian's 249 episodes, along with detailed cast and production credits.
Television is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future.
Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad.
Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.
This volume presents an overview by leading media scholars, which traces the history of broadcasting in two major centres of television development and export: Great Britain and the USA. It identifies tendencies that both unite and differentiate these traditions.
It is one of the greatest movie franchises of all time and since its release in 1968 it has given rise to four sequels, two TV series, one remake and an all new re-book series. The year 2018 marks the 50th Anniversary of Planet of the Apes, maybe the best science fiction movie ever made. With its truly unique storyline, action, musical score and outstanding craftsmanship in make-up design Planet of the Apes stands out as not just an achievement in science fiction but in overall filmmaking in general.
For the past 50 years generation after generation of fans have fallen in love with Planet of the Apes from the 1968 masterpiece to its follow up films and beyond. As an Ape fan myself since childhood I wanted to write this book on honor of my most beloved movie series. Join me now as we explore 50 years of history that Planet of the Apes has given us from where it all began to the remakes, re-boots, toys, comic books action figures and knockoffs that followed in the wake of the last 50 years of Planet of the Apes.