Skandhas (Sanskrit) or khandhas (Pi) means "heaps, aggregates, collections, groupings". In Buddhism, it refers to the five aggregates concept that asserts five factors constitute and completely explain a sentient being's mental and physical existence. The five aggregates or heaps are: form (or matter or body) (rupa), sensations (or feelings, received from form) (vedana), perceptions (samjna), mental activity or formations (sankhara), and consciousness (vijnana).
The skandhas concept is in contradistinction to the idea of a unified "being or individual", and complements the anatta doctrine of Buddhism which asserts that all things and beings are without self. The anatta and "five aggregates" doctrines are part of the liberating knowledge in Buddhism, wherein one realizes that the "being" is merely made up of a temporary grouping of five aggregates, each of which are "not I, and not myself", and each of the skandha is empty, without substance.
In the Theravada tradition, suffering arises when one identifies with or clings to the aggregates. This suffering is extinguished by relinquishing attachments to aggregates. The Mahayana tradition asserts that the nature of all aggregates is intrinsically empty of independent existence. The use of the skandhas concept to explain the self is unique to Buddhism among major Indian religions. It contrasts with the premise of Hinduism and Jainism that a living being has an eternal soul or metaphysical self.
Etymology and meaning
Skandha () is a Sanskrit word that means "multitude, quantity, aggregate", generally in the context of body, trunk, stem, empirically observed gross object or anything of bulk verifiable with senses. The term appears in the Vedic literature. The Pali equivalent word Khandha (sometimes spelled Kkhanda) appears extensively in the Pali canon, where state Rhys Davids and William Stede, it means "bulk of the body, aggregate, heap, material collected into bulk" in one context, "all that is comprised under, groupings" in some contexts, and particularly as "the elements or substrata of sensory existence, sensorial aggregates which condition the appearance of life in any form".
According to Thanissaro, the Buddha never defined a "person" in terms of the aggregates (Pali: khandha), but "such a notion is expressed by some modern scholars as if it were pan-Buddhist". He adds that almost any Buddhist meditation teacher explains it that way, as even Buddhist commentaries from about 1st century CE onwards have done. In Thanissaro's view, this is incorrect, and he suggests that skandha should be viewed as "functions or aspects" of a sentient being.
According to Dalai Lama, skandha means "heap, group, collection or aggregate".Adrian Snodgrass asserts that the term literally means "heap", and the concept refers to the teaching accepted by all Buddhist schools that "the personality is an aggregate of five constituent parts". Paul Williams et al. translate skandha as "heap, aggregate", stating it refers to the explanation of the psychophysical makeup of any being. Damien Keown and Charles Prebish state skandha is phung po in Tibetan, and the terms mean "collections or aggregates or bundles", and in the context of canonical Buddhism the concept asserts that "the notion of a self is unnecessarily superimposed upon five skandha" of a phenomenon or a living being.
Johannes Bronkhorst renders skandha as "aggregates", stating that the meaning and importance of the concept is in explaining the non-self concept in Buddhism. The Buddhist texts assert the five aggregates are what there is to a person and personality, and in each skandha - body, sensations, perceptions, mental formations and consciousness - there is emptiness and no substance.
Description: the five skandhas
The Buddha teaches in the Pali Canon the five aggregates as follows:
"form" or "matter"[lower-alpha 1] (Skt., P?li r?pa; Tib. gzugs): matter, body or "material form" of a being or any existence. Buddhist texts state rupa of any person, sentient being and object to be composed of four basic elements or forces: earth (solidity), water (cohesion), fire (heat) and wind (motion).
"perception" (Skt. sa?jñ?, P?li saññ?, Tib. 'du-shes): sensory and mental process that registers, recognizes and labels (for instance, the shape of a tree, color green, emotion of fear).
"mental formations" (Skt. ? sa?sk?ra, P?li sa?kh?ra, Tib. 'du-byed): '"constructing activities", "conditioned things", "volition", "karmic activities"; all types of mental imprints and conditioning triggered by an object.[lower-alpha 4] Includes any process that makes a person initiate action or act.
"consciousness" (Skt. ? vijñ?na, P?li ? viñña, Tib. rnam-par-shes-pa): "discrimination" or "discernment"[lower-alpha 5]. Awareness of an object and discrimination of its components and aspects, and is of six types, states Peter Harvey. The Buddhist literature discusses this skandha as,
In the Abhidhamma: a series of rapidly changing interconnected discrete acts of cognizance.[lower-alpha 8]
In some Mahayana sources: the base that supports all experience.[lower-alpha 9]
The initial part of the Buddhist practice is purification of each of the above "five aggregates" through meditation and virtues. Ultimately, the practice shifts to considering these as naive, then transcending them to reach the state of realization that there is neither person nor self within, or in any other being, states Harvey, where everyone and everything is without self or substantiality and is a "cluster of changing physical and mental processes". David Kalupahana clarifies that the individual is considered unreal but the skandha are considered real in some early Buddhist texts, but the skandha too are considered unreal and nonsubstantial in numerous other Buddhist Nikaya and ?gama texts.
Understanding suffering: the five aggregates are the "ultimate referent" in the Buddha's elaboration on dukkha in his First Noble Truth: "Since all four truths revolve around suffering, understanding the aggregates is essential for understanding the Four Noble Truths as a whole."
Clinging causes future suffering: the five aggregates are the substrata for clinging and thus "contribute to the causal origination of future suffering".
Release from samsara: clinging to the five aggregates must be removed in order to achieve release from samsara.
In the Dhammacakkappavattana Sutta the Buddha provides the classic elaboration on the first of his Four Noble Truths, "The Truth of Suffering" (Dukkhasacca):
Now this, monks, for the spiritually ennobled, is the painful (dukkha) true reality (ariyasacca):
[i] birth is painful, aging is painful, illness is painful, death is painful;
[ii] sorrow, lamentation, physical pain, unhappiness and distress are painful;
[iii] union with what is disliked is painful, separation from what is liked is painful, not to get what one wants is painful;
[iv] in brief, the five bundles of grasping-fuel (upadana-skandha) are painful.
-- Samyutta Nikaya, 5.421, Translated by Peter Harvey
The fourth category of Dukkha consisting of "five bundles of grasping fuel", states Harvey, are the "five aggregates" that form a person. Each aggregate is an object of grasping (clinging), at the root of self-identification as "I, me, myself". All five are phenomenon that formulate a sense of personality, and they trigger suffering, pain or unsatisfactoriness. Everything that makes a person is a factor of dukkha, and these in Buddhist thought are not a source of pleasure but of sorrow. Nirvana requires transcendence from all five skandhas and the sense objects.
Each of the five skandhas trigger clinging asserts "Satipah?na Sutta", and the delusion of identifying "I, mine, myself" through that skandha. This clinging creates karmic imprints that lead to rebirth and more Dukkha. This ceases when this clinging ceases, no more karma is being produced, and rebirth ends.
Three marks of the skandhas
The Buddhist scriptures assert that all five skhandhas have three characteristics often called ti-lakkhana (tri-lakshana, three marks). These are Dukkha, Anicca (impermanence) and Anatta (non-Self).
Further, states Buddhism, each of the skandhas, a person and every being lacks a self and substantiality. This is the "non-self" (anatta) doctrine, and it holds that a belief in self is a source of Dukkha (suffering, pain, unsatisfactoriness).
Realizing the real nature of skandhas, both in terms of impermanence and non-self, is necessary for nirvana.
The Buddha taught that aggregates are appearances which don't have an essence either separately or together, all that is perceived as an aggregate or a whole has no real existence. The explicit denial of substantiality or essence in any of the five skandha appears in the early Buddhist texts:
All form is comparable to foam; all feelings to bubbles; all sensations are mirage-like; dispositions are like the plantain trunk; consciousness is but an illusion: so did the Buddha illustrate [the nature of the aggregates].
The skandha doctrine, state Mark Siderits et al., is a form of anti-realism about everyday reality including persons, and presents an alternative to "substantialist views of the self". It is a Buddhist reductionism of everything perceived, each person and personality as an "aggregate, heap" of composite entities without essence. This 'no essence' view has been a source of sustained questions, major disagreements and commentaries since ancient times, by non-Buddhist Indian religions, as well as within Buddhist traditions.
Another application of the skandha theory in Buddhist texts is in descriptions of the enlightened, perfected state of Arhat and Tathagata. The perfect state of enlightenment is one without any personality, no "I am" conceit, no physical identification, no intellectual identification, no identification in direct or indirects terms related to any of the five skandhas, translates Peter Harvey, because "a tathagata has abandoned the personality factors". The physical, the personality factors (skandhas), and any sense of Self or I are a burden which the enlightened individual has dropped, thus becoming a "man of nothing", not clinging to anything internal or external. No one can find him because he has no "I", self or identity, while his citta expands to infinity; he is beyond the reach of the unenlightened human beings, as well as the army of the Mara (demon of death in Buddhism).
While early Buddhism reflects the teachings as found in the Pali Sutta Pitaka and the Chinese ?gama, the Early Buddhist schools developed detailed analyses and overviews of the teachings found in those sutras, called Abhidharma. Each school developed its own Abhidharma, the best known is the Therav?da Abhidhamma. The Sarv?stiv?da Abhidharma has been preserved partly in the Chinese ?gama.
Six sense bases
The Theravada tradition teaches the "six sense bases" theory, understood as six pairs of internal and external sense bases that accommodate "all the factors of existence", it is "the all", and "apart from which nothing at all exists", states Bhikkhu Bodhi. These six sense bases in the Theravada exegesis are an alternative to the five skandhas, but they are corollaries of the skandha doctrine and not an innovation. In this teaching, found in texts such as Salayatana samyutta, the coming together of an object and a sense-organ results in the arising of the corresponding consciousness. The suttas themselves don't describe this alternative. It is in the Abhidhamma, striving to "a single all-inclusive system" that the five aggregates and the six sense bases are explicitly connected.
The Maha-punnama Sutta, also called The Great Full-moon Night Discourse, describes the impermanence of the aggregates to assert that there is no self, and the right discernment is, "this is not mine, this is not my self, this is not what I am".[lower-alpha 10] This theme is retained in the Theravadin six sense bases exegesis, states Bhikkhu Bodhi, which sum up the conditioned existence as "the all" of the sense bases, and that the "six bases are empty of a self and of what belongs to the self".
Twelve sense bases
An alternate formulation of the aggregates is in the terms of Twelve Sense Bases:
The first five external sense bases (visible form, sound, smell, taste and touch) are part of the form aggregate.
The mental sense-object (i.e. mental objects) overlap the first four aggregates (form, feeling, perception and formation).
The first five internal sense bases (eye, ear, nose, tongue and body) are also part of the form aggregate.
The mental sense organ (mind) is comparable to the aggregate of consciousness.
Bodhi states the six sense bases is a "vertical" view of human experiences while the aggregates is a "horizontal" (temporal) view. The Theravada Buddhist meditation practice on sense bases is aimed at both removing distorted cognitions such as those influenced by cravings, conceits and opinions, as well as "uprooting all conceivings in all its guises".
The eighteen dh?tus[lower-alpha 11] - Six External Bases, Six Internal Bases, and Six Consciousnesses - function through the five aggregates. These dh?tus can be arranged into six triads, each triad composed of a sense object, a sense organ, and sense consciousness. In regards to the aggregates:
The first five sense organs (eye, ear, nose, tongue, body) are derivates of form.
The sixth sense organ (mind) is part of consciousness.
The first five sense objects (visible forms, sound, smell, taste, touch) are also derivatives of form.
The sixth sense object (mental object) includes form, feeling, perception and mental formations.
The six sense consciousnesses are the basis for consciousness.
The Eighteen Dh?tus
Six External Bases (b?hya-?yatana)
Six Internal Bases (adhy?tma-?yatana)
Six Consciousnesses (vijñ?na)
(1) Visual Objects (r?pa-?yatana)
(2) Eye Faculty (cak?ur-indriya-?yatana)
(3) Visual Consciousness (cak?ur-vijñ?na
(4) Auditory Objects (?abda-?yatana)
(5) Ear Faculty (?rota-indriya-?yatana)
(6) Aural Consciousness (?rota-vijñ?na)
(7) Olfactory Objects (gandha-?yatana)
(8) Nose Faculty (ghra-indriya-?yatana)
(9) Olfactory Consciousness (ghra-vijñ?na)
(10) Gustatory Objects (rasa-?yatana)
(11) Tongue Faculty (jihv?-indriya-?yatana)
(12) Gustatory Consciousness (jihv?-vijñ?na)
(13) Tactile Objects (spraavya-?yatana)
(14) Body Faculty (kaya-indriya-?yatana)
(15) Touch Consciousness (kaya-vijñ?na)
(16) Mental Objects (dharma-?yatana)
(17) Mental Faculty (mano-indriya-?yatana)
(18) Mental Consciousness (mano-vijñ?na)
The Abhidhamma and post-canonical Pali texts create a meta-scheme for the Sutta Pitaka's conceptions of aggregates, sense bases and dhattus (elements). This meta-scheme is known as the four paramatthas or ultimate realities.
There are four paramatthas; three conditioned, one unconditioned:
Material phenomena (r?pa, form)
Mind or Consciousness (Citta)
Mental factors (Cetasikas: the nama-factors sensation, perception and formation)
The Twelve Nidanas describe twelve phenomenal links by which suffering is perpetuated between and within lives.
Inclusion of the five aggregates
Embedded within this model, four of the five aggregates are explicitly mentioned in the following sequence:
mental formations (sa?kh?ra o sa?sk?ra) condition consciousness (viñña o vijñ?na)
which conditions name-and-form (n?ma-r?pa)
which conditions the precursors (sayatana, phassa o spar?a) to sensations (vedan?)
which in turn condition craving (ta?h? o t?) and clinging (up?d?na)
which ultimately lead to the "entire mass of suffering" (kevalassa dukkhakkhandha).[lower-alpha 13]
The interplay between the five-aggregate model of immediate causation and the twelve-nidana model of requisite conditioning is evident, for instance underlining the seminal role that mental formations have in both the origination and cessation of suffering.[lower-alpha 14][lower-alpha 15]
According to Hans Wolfgang Schumann, the nid?nas are a later synthesis of Buddhist teachings meant to make them more comprehensible. Comparison with the five skandhas shows that the chain contains logical inconsistencies, which can be explained when the chain is considered to be a later elaboration. This way it is explainable that n?ma-r?pa in consciousness in the nine-fold are the beginning or start, while in the twelve-fold chain they are preceded by ignorance and formations. Those can only exist when n?ma-r?pa in consciousness are present.
Schumann also proposes that the twelve-fold is extended over three existences, and illustrates the succession of rebirths. While Buddhaghosa in Vasubandhu maintains a 2-8-2 schema, Schumann maintains a 3-6-3 scheme, putting the five skandhas alongside the twelve nid?nas.
The 12-fold chain
the 5 skandhas
5. The six senses
12. Old age and death
Understanding in the Mahayana-tradition
The Mahayana developed out of the traditional schools, introducing new texts and putting other emphases in the teachings, especially sunyata and the Bodhisattva-ideal.
The Prajnaparamita-teachings developed from the first century BCE onward. It emphasises the "emptiness" of everything that exists. This means that there are no eternally existing "essences", since everything is dependently originated. The skandhas too are dependently originated, and lack any substantial existence .[lower-alpha 16]
This is famously stated in the Heart Sutra. The Sanskrit version[lower-alpha 17] of the classic "Prajnaparamita Hridaya Sutra" ("Heart Sutra") states:
form is emptiness, emptiness is form,
emptiness is not separate from form,
form is not separate from emptiness;
whatever is form is emptiness,
whatever is emptiness is form."
The same is true with feelings, perceptions, mental formations and consciousness.
The Madhyaka-school elaborates on the notion of the middle way. Its basic text is the M?lamadhyamakak?rik?, written by Nagarjuna, who refuted the Sarvastivada conception of reality, which reifies dhammas. The simultaneous non-reification of the self and reification of the skandhas has been viewed by some Buddhist thinkers as highly problematic.
The Yogacara-school further analysed the workings of the mind, elaborated on the concept of nama-rupa and the five skandhas, and developed the notion of the Eight Consciousnesses.
Sunyata, in Chinese texts, is "wu", nothingness. In these texts, the relation between absolute and relative was a central topic in understanding the Buddhist teachings. The aggregates convey the relative (or conventional) experience of the world by an individual, although Absolute truth is realized through them.
When the sutra says that the five Skandhas have the character of emptiness [...], the sense is: no limiting qualities are to be attributed to the Absolute; while it is immanent in all concrete and particular objects, it is not in itself definable.
The Tath?gatagarbha Sutras, which developed in India, played a prominent role in China. The tathagatagarbha-sutras, on occasion, speak of the ineffable skandhas of the Buddha (beyond the nature of worldly skandhas and beyond worldly understanding). In the Mahayana Mahaparinirvana Sutra the Buddha tells of how the Buddha's skandhas are in fact eternal and unchanging. The Buddha's skandhas are said to be incomprehensible to unawakened vision.
Referring to mahamudra teachings, Chogyam Trungpa identifies the form aggregate as the "solidification" of ignorance (Pali, avijja; Skt., avidya), allowing one to have the illusion of "possessing" ever dynamic and spacious wisdom (Pali, vijja; Skt. vidya), and thus being the basis for the creation of a dualistic relationship between "self" and "other."[lower-alpha 23]
According to Trungpa Rinpoche, the five skandhas are "a set of Buddhist concepts which describe experience as a five-step process" and that "the whole development of the five skandhas...is an attempt on our part to shield ourselves from the truth of our insubstantiality," while "the practice of meditation is to see the transparency of this shield." 
Trungpa Rinpoche writes (2001, p. 38):
[S]ome of the details of tantric iconography are developed from abhidharma [that is, in this context, detailed analysis of the aggregates]. Different colors and feelings of this particular consciousness, that particular emotion, are manifested in a particular deity wearing such-and-such a costume, of certain particular colors, holding certain particular sceptres in his hand. Those details are very closely connected with the individualities of particular psychological processes.
^In Rawson (1991: p.11), the first skandha is defined as: "name and form (Sanskrit n?ma-r?pa, Tibetan gzugs)...". In the Pali literature, n?ma-r?pa traditionally refers to the first four aggregates, as opposed to the fifth aggregate, consciousness.
^The Pali canon universally identifies that vedana involves the sensing or feeling of something as pleasant, unpleasant or neutral (see, for instance, SN 22). When contemporary authors elaborate on vedana, they define it similarly (see, for instance, Nhat Hanh, 1999, p. 178; Trungpa, 2001, p. 21; and, Trungpa, 2002, p. 126). The one exception is in Trungpa (1976), pp. 20-23, where he states that the "strategies or impluses" of "indifference, passion and aggression" are "part of the third stage [aggregate]," "guided by perception." (This section of Trungpa, 1976, is anthologized in Trungpa, 1999, pp. 55-58.)
^Generally, vedan? is considered to not include "emotions." For example, Bodhi (2000a), p. 80, writes: "The Pali word vedan? does not signify emotion (which appears to be a complex phenomenon involving a variety of concomitant mental factors), but the bare affective quality of an experience, which may be either pleasant, painful or neutral." Perhaps somewhat similarly, Trungpa (1999), p.58, writes: "Consciousness [the fifth aggregate] consists of emotions and irregular thought patterns...."
^The Theravada Abhidhamma divides sa?kh?ra into fifty mental factors (Bodhi, 2000a, p. 26). Trungpa (2001), pp. 47ff, following the Sarvastivada Abhidharma studied in Mahayana Buddhism, states that there are fifty-one "general types" of samskara.
^Peter Harvey, The Selfless Mind. Curzon Press 1995, page 143-146.
^In commenting on the use of "consciousness" in SN 22.3 , Bodhi (2000b), pp. 1046-7, n. 18, states: "The passage confirms the privileged status of consciousness among the five aggregates. While all the aggregates are conditioned phenomena marked by the three characteristics, consciousness serves as the connecting thread of personal continuity through the sequence of rebirths.... The other four aggregates serve as the 'stations for consciousness' (vinnanatthitiyo: see [SN] 22:53-54). Even consciousness, however, is not a self-identical entity but a sequence of dependently arisen occasions of cognizing; see MN I 256-60."
^Harvey writes, "This is in contrast to saññ?, which knows by grouping things together, labeling them. This contrast can be seen in terms of the typical objects of these states: colours for saññ? (S.III.87), but tastes (S.III.87) or feelings (M.I.292) for viñña. While colours usually be immediately identified, tastes and feelings often need careful consideration to properly identify them: discernment and analysis are needed."
^This conception of consciousness is found in the Theravada Abhidhamma (Bodhi, 2000a, p. 29).
^While not necessarily contradicted by the Nikayas, this is a particularly Mahayana statement. For instance, Nhat Hanh (1999, pp. 180-1) states: "Consciousness here means store consciousness, which is at the base of everything we are, the ground of all of our mental formations." Similarly, Trungpa (2001, pp. 73-4) states that consciousness "is the finally developed state of being that contains all the previous elements.... [C]onsciousness constitutes an immediately available source of occupation for the momentum of the skandhas to feed on."
[Buddha:] "It's possible that a senseless person -- immersed in ignorance, overcome with craving -- might think that he could outsmart the Teacher's message in this way: 'So -- form is not-self, feeling is not-self, perception is not-self, fabrications are not-self, consciousness is not-self. Then what self will be touched by the actions done by what is not-self?' Now, monks, haven't I trained you in counter-questioning with regard to this & that topic here & there? What do you think -- Is form constant or inconstant?" "Inconstant, lord." "And is that which is inconstant easeful or stressful?" "Stressful, lord." "And is it fitting to regard what is inconstant, stressful, subject to change as: 'This is mine. This is my self. This is what I am'?"
[Monks:] "No, lord."
"... Is feeling constant or inconstant?" "Inconstant, lord."...
"... Is perception constant or inconstant?" "Inconstant, lord."...
"... Are fabrications constant or inconstant?" "Inconstant, lord."...
"What do you think, monks -- Is consciousness constant or inconstant?" "Inconstant, lord." "And is that which is inconstant easeful or stressful?" "Stressful, lord." "And is it fitting to regard what is inconstant, stressful, subject to change as: 'This is mine. This is my self. This is what I am'?"
"Thus, monks, any form whatsoever that is past, future, or present; internal or external; blatant or subtle; common or sublime; far or near: every form is to be seen as it actually is with right discernment as: 'This is not mine. This is not my self. This is not what I am.'
- Majjhima Nikaya iii 15, Translated by Thanissaro Bhikkhu
^The P?li word dh?tu is used in multiple contexts in the P?li canon: For instance, Bodhi (2000b), pp. 527-8, identifies four different ways that dh?tu is used including in terms of the "eighteen elements" and in terms of "the four primary elements" (catudh?tu).
^>Put another way, it is through the five skandhas that clinging occurs. See, for instance, the Samadhi Sutta (SN 22:5) (Thanissaro, 2006b).
^The apparent distinctions between the nidana model and the khandha model are reduced when, instead of using the twelve-nidana model of the Samyutta Nikaya, chapter 12 (e.g., Thanissaro, 1997d), one compares the nine-nidana model of the Maha-nidana Sutta (DN 15) (Thanissaro, 1997a) where consciousness conditions name-and-form and name-and-form conditions consciousness.
^Bodhi (2000b, pp. 839-840) writes: "Whereas the teaching on dependent origination is intended to disclose the dynamic pattern running through everyday experience that propels the round of rebirth and death forward from life to life, the teaching on the five aggregates concentrates on experience in its lived immediacy in the continuum from birth to death." Perhaps in a similar vein, Bodhi (2000b, pp. 762-3, n. 132) notes elsewhere that, according to the Samyutta Nikaya's subcommentary: "There are two kinds of origin, momentary origin (khanika-samudaya) and origin through conditions (paccaya-samudaya). A bhikkhu who sees one sees the other."
^While Red Pine (2004) contextualizes the Prajnaparamita texts as a historical reaction to some early Buddhist Abhidhammas, some interpretations of the Theravada Abhidhamma are consistent with the prajnaparamita notion of "emptiness."
^According to Nattier (1992), the Heart Sutra was originally composed in Chinese and later back-translated into Sanskrit. Thereafter, it became popular in India and later Tibet. As indicated in an endnote further below, elements in this translation are not present in Chinese versions of this sutra.
^See also Nhat Hanh (1988), p. 1, and Suzuki (1960), p. 26. Nhat Hanh (1988) adds to this first verse the sentence: "After this penetration, he overcame all pain." Suzuki (1960), p. 29, notes that this additional sentence is unique to Hsuan-chuang's translation and is omitted in other versions of the Heart Sutra.
^In the Theravada canon, the English word "self-existence" is a translation of the Sanskrit word svabhava. Regarding the term sabh?va (Pali; Skt: svabh?va) in the Pali Canon, Gal (2003), p. 7, writes: "To judge from the suttas, the term sabh?va was never employed by the Buddha and it is rare in the Pali Canon in general. Only in the post-canonical period does it become a standard concept, when it is extensively used in the commentarial descriptions of the dhammas [conditioned mental and physical processes] and in the sub-commentarial exegesis.
The term sabh?va, though, does occur on various occasions in five canonical or para-canonical texts: the Pa?isambhid?magga, the Pe?akopadesa, the Nettippakara?a, the Milindapañha and the Buddhava?sa."
Gal (p. 10) speculates that the use of the term sabh?va in the Pa?isambhid?magga might be the earliest occurrence in Pali literature and quotes (p. 7, esply. n. 28) from this text (Pa?is. II 178) the application of the phrase sabh?vena suñña? (Pali for "empty of sabh?va") to each of the aggregates — at least superficially similar to an application of svabh?va in the Prajnaparamita Hridaya Sutra ("Heart Sutra") cited in this article.
^ when "emptiness of self" is mentioned, the English word "self" is a translation of the Pali word "atta" (Sanskrit, "atman"); in the Sanskrit-version of the Heart Sutra,
^Note that Chinese versions of the Heart Sutra do not contain the notion of svabhava.
^"Svabhava" has also been translated as "self-nature" (Suzuki, 1960, p. 26), "separate self" (Nhat Hanh, 1988, p. 16) and "self-existence" (Red Pine, 2004, p. 67).
^This type of analysis of the aggregates (where ignorance conditions the five aggregates) might be akin to that described by the Twelve Nidanas.
^Rupert Gethin (16 July 1998). The Foundations of Buddhism. Oxford University Press. pp. 140-149, 238-239. ISBN978-0-19-289223-2., Quote: We have seen how Buddhist thought criticizes the concept of an unchanging self as incoherent; however, both ancient and modern critics have argued that to do away with the self in the manner of Buddhist thought in fact creates insurmountable philosophical and moral problems. (...) We have seen how Buddhist thought breaks down an individual into five classes of physical and mental events known as skandhas or aggregates".
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